Chris Kennedy

“Zoological Surrealism: The Nonhuman Cinema of Jean Painlevé.” October 8, 2019

Programmed and introduced by James Cahill

“Before Jacques-Yves Cousteau, there was Jean Painlevé. Trained at the Sorbonne in the natural sciences and engaged with the aesthetic avant-gardes of his era, Painlevé, along with his primary collaborator Geneviève Hamon, combined a scientist’s eye with a Surrealist’s sensibility to produce a cinematic bestiary of over 200 films that broke ground in the fields of scientific cinema, nature films, and experimental media. Combining scientific rigour (many of his films began in a research context), cutting-edge technique, and a sense of wonder for zoological phenomena, Painlevé won the admiration of Luis Buñuel, Germaine Dulac, Jean Vigo, Jean Renoir, Sergei Eisenstein, Roberto Rossellini, Pablo Picasso, and the Surrealists.
Painlevé’s films document the strange forms, love lives, and dietary habits of uncommon creatures with a generous curiosity, an appetite for the unusual, and a razor-sharp wit, which is evident in his wry commentary and adventurous use of hot jazz and experimental music on his soundtracks. While Painlevé worked in the tradition of the great French natural historians such as Georges Cuvier and Jean-Baptiste Lamarck, he also drew upon the spirit of Jean de la Fontaine in creating fables where the careful observation of animal life also casts a critical eye on human existence.” -James Cahill

The Octopus (La Pieuvre) dir. Jean Painlevé | France 1928 | 13 min. Digital
The Seahorse (L’Hippocampe) dir. Jean Painlevé | France 1934 | 15 min. Digital
The Vampire (Le Vampire) dir. Jean Painlevé | France 1945 | 9 min. 35mm
Acéra, or the Witches Dance (Acéra ou le bal des sorcières) dirs. Jean Painlevé & Geneviève Hamon | France 1972 | 13 min. Digital
Liquid Crystals (Cristaux liquides) dir. Jean Painlevé | France 1978 | 6 min. Digital

James Cahill’s talk is available here.